Galleries by Katie Rudolph

Dalies Frantz: Denver's Titan of the Keyboard

Long before the days of American Idol, Denver boasted its own musical virtuoso, Dalies Frantz.

Frantz was born in 1908 in Lafayette, Colorado, the son of William Henry Frantz and Amalia Lueck Frantz (a performing soprano). Dalies grew up in Denver in a home at 760 Downing Street, where he began playing piano at age seven. Studying under teacher Blanche Dingley-Mathews, Frantz was considered a prodigy by age nine. At age 14, Frantz won first place in a statewide piano contest conducted by the Charles E. Wells Music Company. He then studied at the Huntington Preparatory School in Boston, where he became captain of the swimming team, breaking several New England freestyle swim records.

In 1926, Frantz won a scholarship with the Julliard Foundation in New York City and was taken under the wing of famous concert pianist and teacher Guy Maier at the University of Michigan. After Frantz received a bachelor of music degree in 1930, he traveled to Europe to study with legendary pianists Artur Schnabel and Vladimir Horowitz. Frantz returned to the US, debuting with the New York Philharmonic in 1932 and the Philadelphia Orchestra in 1934. Shortly thereafter, he was signed by Columbia Concerts Corporation and traveled nationwide giving recitals and making appearances with several major American orchestras. Frantz returned to the University of Michigan to continue his musical studies. He married Martha King of Detroit in 1934; five years later, they divorced.

Frantz's notoriety and good looks landed him a contract with Metro-Goldwyn-Mayer (MGM), and he starred in three pictures: Sweethearts (1938), Balalaika (1939), and I Take This Woman (1940). He was scheduled to record the soundtrack of a biopic about  Frédéric Chopin (A Song to Remember), but the film was postponed by the onset of World War II. During the War, Frantz served briefly as an intelligence officer, but was discharged early due to medical issues.

Beginning in 1943, Frantz joined the faculty at the University of Texas Department of Music. In addition to teaching, Frantz played war-bond concerts and toured. Two months after playing Carnegie Hall in December 1945, Frantz collapsed and was hospitalized for nearly a year. Poor health would continue to plague him in the years thereafter.

Frantz continued to teach and write until his death in Austin, Texas, on December 1, 1965.

Dalies Frantz's scrapbook (WH305) of correspondence, photos, recital programs, and newspaper clippings is available for research in DPL's Western History/Geneaology Department. 

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I've been cataloging letters from one of my squadrons, WW 2 commanders, Col Robert P. Montgomery. He states in a letter dated 6 Jan 1941, 77th Fighter Squadron at Pendleton Air Base OR: "We got a tremendously interesting officer in my squadron the other day perhaps John knows him. His name is Dalies Frantz and he is supposedly one of the four foremost pianists in this country. He has played with the N.Y. Philharmonic and has been on concert tours all over the globe. He is absolutely marvelous on the piano. “

Hi Harvey,
I have not been able to track down any recordings of Dalies Frantz in Worldcat. I do wonder if the archives at the University of Texas, the University of Michigan, and/or the archives of Carnegie Hall hold any recordings.

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My Grandmother Aleonora and Dalies were siblings. I find it fascinating that even after so many years have passed, he is remembered. He was always somewhat legendary in our family because of his musical success.

I just came across a copy of a recording where Dalies was the guest artist. It's Concerto #1 in E Flat Major from The "Philharmonic Symphony Broadcast". Original recording was on 1/5/41. I also have another 78 labeled Brahms Intermezzi-Dalies, possibly from 1940. This one seems to be one that was not commercially produced.

Julie Bley
julesbley@gmail.com

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This Old House: Denver’s Adolph Zang Mansion

Zang Mansion

Do you ever wonder about the past lives of old Denver mansions?

At 709 Clarkson Street sits a brick and stone Neo-Classical Revival mansion that once belonged to brewery magnate Adolph Zang (1856-1916).

Denver currently enjoys a reputation as ​a ​craft brewing hotspot, but beer has been part of its industry for many years. Adolph Zang’s father, Phillip, bought the Rocky Mountain Brewery around 1869. Adolph and his wife, Minnie, moved to Denver in 1882, when Adolph took over management of his father’s brewery. Adolph turned the Zang Brewery into one of the most successful breweries west of the Mississippi River. An English syndicate bought the business in 1889, but Adolph continued to manage it until his retirement in 1913.

The Adolph Zang Mansion was designed by architect Frederick Carl Eberley (1844-1915) and completed in 1903. Eberley was the architect of several early buildings in Denver​,​ including the Barth Hotel (17th and Blake) and much of the Tivoli Brewery complex (10th and Larimer).

Adolph Zang's​ 38-room home boasted a ladies’ sitting room with a pastel Parisian canvas ceiling, a third-floor ballroom with white birch floors, and a dining room illuminated by a gold leaf ceiling and Tiffany chandelier. Another highlight? Seven painted glass windows in the home were created by an artist named Brandt, who completed windows in New York City’s famed St. Patrick’s Cathedral. 

Curious about the history of more Denver homes? Perhaps even your own?

Check out DPL’s Building & Neighborhood History Collection in the Western History/Genealogy Department (5th Floor, Central Library). This collection contains a wealth of resources for researching the history of Denver buildings, neighborhoods, and architectural styles. Included are early building permits, real estate and fire insurance atlases, and directories.

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I was privileged to live in this home from July 1975 until the summer of 1977. I hosted tours through the house every Thursday night for approximately 2 years. I love this house. Great memories. My bedroom was on the 2nd floor above the porch. 3 of the 4 walls were windows and I had every window open during the warmer months and slept soundly with a summer breeze blowing through the room. I explored every inch of this magnificent home. What an adventure for a young boy to live here for 2 years.

Ahh you must of lived there when we had those crazy Zang family reunions. I was a little kid and remember really long dining room table with a bunch of grumpy old aunts. But my better memories are of rolling around on the lawn.

Mark, why not mention the time you had me hide you in the safe behind the secret panel in your dad's office. Remember how mad he was when you popped out of the wall? No one had the combination to that safe and I believe he impressed upon us the danger of that old mechanism locking accidently. I think he was more scared of that then actually angry. Remember the late night ping pong tourneys in the "Barn"?

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Hi, Nicole! We haven't come across any stories of hauntings at the home, but you may enjoy Phil Goodstein's The Ghosts of Denver: Capitol Hill:
http://catalog.denverlibrary.org/view.aspx?cn=272465

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I was in Denver as a missionary for the Church of Jesus Christ of Latter-day Saints, also known as the Mormons (1970-1972). The house served as the mission home which I always thought interesting since Mormons don't drink. The house was beautiful and filled with state of the art conveniences for the era in which it was built, such as windows that were alarmed and if I remember right, a rudimentary intercom system. I remember the stained glass windows. We would link hands and shuffle our feet in the ballroom and the missionary nearest the window would touch the lead between the glass in the window and the one on the other end would get a static spark that would jump 2-3 inches. All thanks to the low humidity. Good memories.

In reply to by Steven Bailey (not verified)

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Mr. Bailey: I am doing research regarding a meeting which took place at the Mission House during the 1960s. I am trying to determine if the Mission House used a sign in procedure to recorded visitors? Thanks Bob Hennessey

In reply to by Robert j. Hennessey (not verified)

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I'm a great-grand daughter of Adolph Zang. I'm youngest in the family and have fewer memories of being in the home when it was owned by the family, but I remember visiting a few times when it was the mission home, and I seem to remember they had a sign-in book for visitors. I suggest you see if you can find the mission assistants to whomever was the mission president during that time. They could tell you affirmatively.

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This home holds special memories for me having lived there from March 1954 to March 1958. The Church of Jesus Christ of Latter-day Saints owned the home as a Mission Home and my father, A.Lewis Elggren, was the mission president. I will always cherish the privilege of living there and the many amazing people we met and grew to love who passed through that beautiful front entrance.

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I just inherited a very nice steamer trunk/wardrobe. It has a metal nameplate on it.
Philip A Zang. I’m trying to find out more about this trunk.

It belonged to my grandfather, Philip Adolph Zang, oldest son of Adolph Joseph Zang, the builder of the mansion. He never traveled outside the US, but probably used it when he was a student at the University of Michigan, graduating in 1907.

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I just inherited a very nice steamer trunk/wardrobe. It has a metal nameplate on it.
Philip A Zang. I’m trying to find out more about this trunk.

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I served in the mission under Phillip G Redd from 1969 to 1971. I served as his secretary for 5 months, typing and sending out his letters to the elders for transfers, etc. I lived above the garage (old stable) during that time with the other mission staff. My office was the main entry where I also greeted visitors and took them on tours of the home. The Presidents family lived on the 2nd floor. Loved the secret wall safe in the presidents office. We always ate our meals in the large dining room with the presidents family

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Hidden Gems at DPL: Babylonian Clay Tablets

You may already know that the Denver Public Library’s Western History/Genealogy Department houses historic items—but did you know that some of its oldest objects date from before 3000 B.C.E?

Three original Babylonian clay tablets (417 B119) in the Douglas Collection of Fine Printing are representative of some of the earliest written records known. Prior to the 3000 B.C.E., Babylonians produced documents by scratching symbols into clay. These symbols were a precursor to cuneiform writing. Clay tablets like these were often administrative notes and lists.

Also in the collection is a reproduction of a “card catalog” tablet from Nippur, Iraq, that notes the titles of 62 Sumerian literary works. Titles were usually created from the first line of each work. The books listed were current in Babylonia from 2000 to 1500 B.C.E.

Interested in viewing these items for yourself? Click here to learn more about viewing items from DPL’s “closed stacks.”

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Creative Types: Need Project Inspiration?

A man sits at an easel painting

You may love your neighborhood DPL branch, but it might be time to branch out!
 

Did you know that DPL’s Central Library has a Western History/Genealogy Department on Level 5? It’s a full floor dedicated to helping you discover your family history and the history of your community.

For creative types, you’ll find historic, rare, beautiful, and sometimes bizarre art, books, photographs, papers, recordings, and more. Either visiting in person or on your computer, inspiration for your next masterpiece is practically guaranteed!

Writers: Creating a story that takes place somewhere in Denver's past? Check out DPL’s historic newspapers! Although DPL subscribes to several newspaper databases, sometimes scrolling through an old-time Denver newspaper on microfilm can be much more inspiring! Why? Browsing microfilm (instead of keyword searching in a database) gives you exposure to many more stories and advertisements—providing a fuller picture of the time period. You’ll get context, and you’ll probably stumble across quite a few interesting stories in the process.

Artists: Did you know that the Western History Department has a photography and fine art collection? You’ll find paintings by such greats as Albert Bierstadt and Frederic Remington on our walls. The Library also owns sculpture and literally thousands of unframed original artworks, etchings, engravings, lithograph illustrations, sketches, and posters dating from the mid-1800s to the present. Check out our digital collections where you’ll find over 1,000 works of art and over 100,000 photographs. Hit up the catalog, too: we have a vast collection of books on Western art, artists, and photographers

Musicians: The Western History/Genealogy Department’s Sheet Music Collection contains over 660 individual scores dating from the 1890s into the 1960s—and many titles are about Colorado and Denver. These scores include cowboy ballads, movie theme songs, rags, and traditional American Indian songs (among many other genres).

Foodies/Chefs: Looking for recipes from Denver’s Baur’s Candy Company? How about toast recipes from the 1920s? The Western History/Genealogy Department collects cookbooks and recipe collections from Denver and the American West! In the catalog, advance search “recipes,” narrowing down the location to “Western History and Genealogy.” You’ll see a selection of over 300 titles, from 2013’s Keep Cookin’, Cowgirl to 1914’s Bohemian San Francisco: Its Restaurants and Their Most Famous Recipes; The Elegant Art of Dining.

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23 Years in the Making: Edward Curtis's The North American Indian

Portrait of a Navajo (Dine) man. He wears a cloth headband and a woven patterned blanket around his shoulders. Titled by Curtis: A chief of the desert - Navaho

From 1907 to 1930, Edward Sheriff Curtis devoted his life to a project documenting the cultures of 80 North American Indian tribes living from the Great Plains to as far north as Alaska. The project yielded The North American Indian, a 20-volume photogravure-and-narrative set that the Library of Congress has called “one of the most significant and controversial representations of traditional American Indian culture ever produced.”

At the time of his death in 1952, however, Curtis no longer owned the copyright to the work he spent 23 years of his life creating.

Edward S. Curtis was born near Whitewater, Wisconsin, in 1868. When his parents moved to St. Paul, Minnesota, Curtis apprenticed with a photographer. In 1887, the family moved further west to Seattle. It was here that Curtis purchased a photography studio and captured the ships, shoreline, timber, mountains, and American Indians of the area with his camera. A chance encounter with George Bird Grinnel (then editor of Forest and Stream magazine) while Curtis was hiking with his 14x17 camera and glass plate negatives led to Curtis’s introduction by Grinnel into the Blackfeet and Piegan tribes.

The North American Indian was a project that not only consumed Curtis’s time, but also quite a bit of money. Although the publication of The North American Indian in limited editions from 1907-1930 yielded nearly a $1.5 million return, it did not cover the immense expenses Curtis had incurred to produce the project.

Curtis became friendly with President Theodore Roosevelt, who sponsored Curtis’s many gallery showings and lectures. President Roosevelt introduced Curtis to J. P. Morgan, Sr., who went on to bankroll Curtis’s work. The Denver Public Library’s Western History/Genealogy Department holds three letters that Curtis wrote to Mr. E. Francis Riggs in 1909 and 1910 (Edward Curtis Papers, M175). In a letter dated January 25, 1910, Curtis states:

I am certain you will be delighted to know that Mr. J. Pierpont Morgan is further assisting the Indian work by now furnishing $60,000.00 in addition to his former most generous subscription of $75,000.

Curtis sold the rights to The North American Indian to J. P. Morgan’s son in 1928. In 1935, the Morgan estate sold the rights and remaining unpublished material to the Charles E. Lauriat Company for $1,000 plus a percentage of royalties. Many of these materials sat untouched in a Lauriat basement until being rediscovered in 1972.

DPL’s Western History/Genealogy Department holds the Edward Curtis Papers (M175), The North American Indian (digitized images available hhttps://denverlibrary.recollectcms.com/nodes/browse/?meta=eyI0IjpbIkN1cnRpcywgRWR3YXJkIFMuLCAxODY4LTE5NTIiXSwiNDAiOlsiQ3VydGlzLCBFZHdhcmQgUy4sIDE4NjgtMTk1MiJdLCI3NiI6WyJDdXJ0aXMsIEVkd2FyZCBTLiwgMTg2OC0xOTUyIl0sIjExMiI6WyJDdXJ0aXMsIEVkd2FyZCBTLiwgMTg2OC0xOTUyIl0sIjE0OCI6WyJDdXJ0aXMsIEVkd2FyZCBTLiwgMTg2OC0xOTUyIl0sIjE4NyI6WyJDdXJ0aXMsIEVkd2FyZCBTLiwgMTg2OC0xOTUyIl0sIjIyMyI6WyJDdXJ0aXMsIEVkd2FyZCBTLiwgMTg2OC0xOTUyIl0sIjI2MSI6WyJDdXJ0aXMsIEVkd2FyZCBTLiwgMTg2OC0xOTUyIl0sIjMwMSI6WyJDdXJ0aXMsIEVkd2FyZCBTLiwgMTg2OC0xOTUyIl0sIjQyNCI6WyJDdXJ0aXMsIEVkd2FyZCBTLiwgMTg2OC0xOTUyIl0sIjUyOCI6WyJDdXJ0aXMsIEVkd2FyZCBTLiwgMTg2OC0xOTUyIl0sIjY0MCI6WyJDdXJ0aXMsIEVkd2FyZCBTLiwgMTg2OC0xOTUyIl0sIjcxNiI6WyJDdXJ0aXMsIEVkd2FyZCBTLiwgMTg2OC0xOTUyIl19ere), and several books relating to Curtis’ work and turbulent personal life.

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Wild Woman of the West: Author Helen Rich

The Helen Rich Papers (WH348) detail the fascinating life of a woman who started out as a childhood friend of Sinclair Lewis and went on to become a newspaper reporter, traveling freelance writer, social worker, and bestselling authoress.

Helen Rich was born August 9, 1894, in Sauk Centre, Minnesota. She studied to become a teacher, but instead began reporting for a newspaper in Eau Claire, Wisconsin. Soon thereafter, she was incorrectly diagnosed with tuberculosis and moved to Colorado to regain her health. While there, Rich worked as the first female reporter for the Colorado Springs Telegraph.

Rich then traveled across the country as a freelance writer until making her way to France, where she lived until her money ran out. She then spent three years writing in New York City until finally heading west by car with a friend, living out of a tent, and writing articles for business magazines.

In 1937, Rich and retired teacher and author, Belle Turnbull (1882-1970), moved to Frisco, and a few years later, Breckenridge. Here, Rich worked as a social worker handling job placements and welfare payments for the Department of Public Welfare of Summit County. In 1947, Rich’s bestselling novel The Spring Begins was published, followed by The Willow Bender in 1950.

Rich retired from her social work position in 1959 and spent the following 10 years working on an novel based upon the Silverheels legend (dancehall girl nurses miners with smallpox until she catches it, loses her looks, and disappears). The novel was never published.

Rich died in Breckenridge on November 14, 1971.

Helen Rich’s correspondence, writings, and photographs make up the Helen Rich Papers (WH348), available for research in DPL’s Western History and Genealogy Department. Also available are the Belle Turnbull Papers (WH414).

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Thank you for cleaning up the Helen and Belle papers and posting these gorgeous summaries. I only discovered them because Monday (8/9/1894) is Helen’s birthday and I wanted dates fir Belle in my records. Thus discovered your collection. I am Helen’s great niece and used to correspond with her and visited her with my Mama Elizabeth Johnson Anderson in the last summer of Helen’s life. Thanks. Great work!

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Thank you for cleaning up the Helen and Belle papers and posting these gorgeous summaries. I only discovered them because Monday (8/9/1894) is Helen’s birthday and I wanted dates fir Belle in my records. Thus discovered your collection. I am Helen’s great niece and used to correspond with her and visited her with my Mama Elizabeth Johnson Anderson in the last summer of Helen’s life. Thanks. Great work!

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Thank you for cleaning up the Helen and Belle papers and posting these gorgeous summaries. I only discovered them because Monday (8/9/1894) is Helen’s birthday and I wanted dates fir Belle in my records. Thus discovered your collection. I am Helen’s great niece and used to correspond with her and visited her with my Mama Elizabeth Johnson Anderson in the last summer of Helen’s life. Thanks. Great work!

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Denver’s Albany Hotel (1885-1976)

The Albany Hotel

A Denver Hotel Built On A Croquet Field, Demolished For An Office Building

In 1882, architect E. P. Brink described plans for a Denver hotel that would combine a traditional American hotel with “a system of palatial French flats.” On the site of a croquet field at 17th and Stout Streets, the hotel was built and opened as the Albany Hotel (named after hotelier W. H. Cox’s hometown of Albany, New York) in July 1885. Appealing to those reaping the benefits of a Colorado mining boom, the hotel was decorated in the style of the elegant 1880s with Persian velvet covering the floors and bronze peacock screens guarding the fireplaces.

The Albany Hotel would go on to host several major events, including the National Elks Convention in 1906 (in which a large bull elk was stabled in the hotel lobby) and the Democratic National Convention in 1908. Wild West Show stars Annie Oakley, Johnny Baker, and William F. “Buffalo Bill” Cody stayed at the establishment while playing Denver and hotel manager Frank Dutton soon befriended Cody. Personal mementos Cody gifted to Dutton were put on display in the hotel’s Buffalo Bill Bar.

In 1938, the New Albany Hotel reopened after a major design overhaul orchestrated by architect Burnham Hoyt and closed for good on August 27, 1976. Demolition of the hotel building began on November 17, 1976, to make way for Urban Center I, a 29-story office building with adjoining plaza.

Learn more about the Albany Hotel’s story by visiting DPL’s Western History and Genealogy Department online or in person. Explore the books, photographs, newspaper articles, and menus that bring this hotel back to life!

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I have a safe that belonged to Chester J Roseberry. Owner/ Operator A.J. Clark's drugstore and fountain in the Albany Hotel. 17th & Stout

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I would to eat breakfast there every morning on my way to school in Globeville. I can remember the elevators so well. So many memories

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Have an ORIGINAL menu with prices and a picture of W.F."Buffalo Bill" Cody on it....

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Looking for any information on family member who was a hote manager at the Albany 1918-?, Cancel (C.B.) Donoho. Family has no record of him after 1918.

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My g.grandparents stayed here in 1889 with their little daughter but only lasted one night due to an infestation of bed-bugs in their room (which cost $10/night - $4 each adult & $2 child). Mgt. did not believe them about the bugs until presented with the corpses. My g.grandmother, a Philadelphia girl, termed the decor "decidedly seedy. There is an attempt made at great style & things are supposed to be handsome but have been very much abused..."

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I believe my uncle was the owner-manager of the Albany Hotel during the 1940s 50s and 60s his name was John McDonough. I wish I had more information comments welcome!

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You must be a relative of Don McDonough
I worked with him in the 70s in the finance business on 17th St.
I believe his Father was manager of the Albany...
What ever happened to Don, I don't know?

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My father was the Bell Captain of the Albany from 1959 to 1965, when he took his life in the basement of the hotel. He was there in 1963 during a fire that took several lives. I remember him coming home covered in soot and telling my mom that he was glad more didn't perish due to the panic of the guests and employees.
It had a great drugstore like the old movies with a soda fountain that Hollywood movies depict from time to time.
My mother also worked there from time to time helping to set up and break down exclusive trade shows. It was always a great treat to visit Dad at work!

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I have a utility bag from the Albany Hotel in 1957 with my parents! John T. McDonough was the manager.

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My father bought AG Clark Drug in the late 50's after running 7drug chain stores for decades. I worked there all through high school. The catacombs under the hotel were great to explore, The hotel had it's own spring water pumped up to the roof to supply the building.

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My grandfather, an Irish immigrant worked as a chef at the Orpheume Restaurant and Albany Hotel in 1907.

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In 1887 there was a Mrs Broderick staying here or perhaps working here. Any one have any info on that or where I might find it?

Hi E. Ruth,
A Mrs. R.E. Broderick was the proprietor of the Albany Hotel and Restaurant in Victor, Colorado, for several years. Is that perhaps the Mrs. Broderick you are thinking of? For further assistance, please submit a reference request through the link below and we'll be happy to help you find more information: https://history.denverlibrary.org/contact-us

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My grandfather and grandmother had an apartment at 1129 17th Street in Denver. It was a couple of blocks from the Albany hotel where my grandfather worked. I used to visit them in the summer from New Mexico.

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I ate at the Albany Hotel restaurant many times in the fifties. The food was great and very inexpensive, about $1.00 for a multi course lunch in the coffee shop. It was in the back of the lobby.
I remember a lot of red furniture in the lobby with stairs going up to the mezzanine. Another very good restaurant was just down the street, Bennetts with an organ player in the window.

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In the Archives: Documentation of a 1929 Groundbreaking—Soil and All

Denver’s City and County Building

Think archives only collect papers, photos, and films? Think again!

One collection found in DPL’s Western History and Genealogy Department has the dirt on Denver’s past.

Soil from the March 26, 1929, groundbreaking ceremonies for Denver’s City and County Building (completed in 1932) can be found in collection M1768. At the event, dirt was collected in a Hendrie & Bolthoff Manufacturing and Supply Co. envelope (now protected by an archival Mylar sleeve) and labeled as such:

The first dirt dug from City Municipal Building cite [sic] City & Co. of Denver by Mayor Stapleton, first steam shovel nosed in at 1:43 pm 3/26/29

On March 27, 1929, the Rocky Mountain News reported on the event, in which “Mayor Stapleton, all smiles, turned the first shovelful of dirt with a gilded spade” before a crowd of 1,000.

Photographs of the groundbreaking as well as the building’s entire construction process are available in the Denver Municipal Building Album, 1929 (C Photo Album 190), which has been digitized.

With newspaper accounts, photographs, and a bit of soil, one could say the construction of a beloved Denver building truly has been documented from the ground up.

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Denver, 1968: Led Zeppelin Makes American Debut

Denver’s Auditorium Arena

Think Denver doesn’t have much rock n’ roll history?

Nearly forty-five years ago, on December 26, 1968, legendary British rock band Led Zeppelin opened for Vanilla Fudge at Denver’s Auditorium Arena.

Believe it or not, Denver was Led Zeppelin’s first stop on their first North American tour.

As the late Denver concert promoter Barry Fey (1938-2013) recalled in his 2011 autobiography, he nearly passed on Led Zeppelin. When Ron Terry (agent for Vanilla Fudge) approached Fey about adding Led Zeppelin as an opener to the already sold-out Vanilla Fudge show, Fey refused. It wasn’t until Vanilla Fudge offered $750 of their own money to pay for half of Led Zeppelin’s performance fee that Fey reconsidered.

Rocky Mountain News music critic Thomas MacCluskey reviewed the December 26 show and recounted the way Led Zeppelin played their set with a series of emphatic adverbs: “powerfully, gutsily, unifiedly, inventively, and swingingly.”

MacCluskey went on to describe the performance of each band member. While he was impressed by guitarist Jimmy Page and bassist John Paul Jones, MacCluskey had fewer kind words for singer Robert Plant and drummer John Bonham:

  • Robert Plant: “a cut above average in style, but no special appeal in sound”
  • Jimmy Page: “exceptionally fine…used a violin bow on the guitar strings in a couple of tunes…”
  • John Paul Jones: “solid, involved, contributing”
  • John Bonham: “a very effective group drummer, but uninventive, unsubtle, and unclimactic in an uneventful solo"

​Led Zeppelin returned to Denver less than two years later on March 25, 1970, and played to a crowd of 11,500 at the Coliseum. MacCluskey’s review of the band’s performance was more positive this time around, with the critic noting a marked improvement of Plant’s vocals and Bonham’s drumming.

Looking for more Denver rock n’ roll history? A great place to start is the Western History Subject Index—a large, digitized index of newspaper articles relating to the history of Denver, Colorado, and the American West. While this index provides newspaper article citations (meaning you won't be taken directly to the article of your choosing), full-text articles are available in several DPL newspaper databases or on microfilm in DPL’s Western History and Genealogy Department.

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My girlfriend and I were there in 1970. Zep played for three hours. Of all the concerts I attended in the 60s and 70s, it was the grooviest!

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I sat near the front and my ears rang for a whole day after that gig. It was epic but it was loud!!

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I was at the 1968 concert and I remember the third band that performed then- Spirit, with front man Randy California. They played a great set, including their hit "Fresh Garbage". Also, the drummers from each band played extended solos, perhaps in response to Ginger Baker of rock group Cream who displayed incredible drumming some months before at this same venue.

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Dear All, anyone of you saw the following rock gigs played in Denver during the Seventies ?
BLACK SABBATH 27 February 1971 (with MOUNTAIN) and 18 October 1971.
TRAFFIC, JOHN MARTYN and FREE 29 January 1973.
DEEP PURPLE 3 & 4 April 1974.
TRAFFIC and GENTLE GIANT 8 October 1974.
GENTLE GIANT 3 & 4 February 1975 Ebbett's Field.
RAINBOW and PAT TRAVERS 30 March 1981.

Any memories to share ? Who knows if vintage press is available for those gigs !
Thanks for your kindly attention !

All The Best,

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Poor guys did sing in our elevation. Been at concerts where singer asked the audience “how the heck do you breathe here?!”

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I was working security for Barry Fey, I was there when Barry Fey said yes to Led Zeppelin. Vanilla Fudge paid Led Zeppelin. Got to meet the band and party with them.

Did you know of any LED ZEPPELIN gig planned in August / September 1975 in Denver (exact gig date still a mistery for all LED ZEPPELIN gig collectors) ? Seems so according to Swan Song press release dated 8 August 1975 anyway this gig was cancelled with all LED ZEPPELIN gigs planned for Summer 1975 when Robert Plant was hurt in a car accident in Rhodes Island 4 August 1975. Thanks for your memories !

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Stones, Zeppelin, Black Sabbath, those were the days. Saw Black Sabbath, and Humble Pie at a roller rink with cardboard admission 🎟️ No seats just pushing back and forth

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I was at fillmore east when led zeppelin opened up for iron butterfly. amazing show, zeppelin played their first album which was released the following monday, and their entire second album which they were recording
when they were done, it seemed nobody cared about iron butterfly

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Catalog Speak: What Do You Mean By “Closed Stacks?”

Hooray! You’ve found the book you need in the Denver Public Library catalog!

Reading the catalog record, you see that the book is located in the Western History and Genealogy Department (on the 5th floor of the Central Library). But wait— the book’s shelf location is noted as “closed stacks.” What does that mean?

“Closed stacks” are secure, employee-only storage areas. Items located in closed stacks can be “paged” (brought out by employees) when requested.

In the case of closed stack items in DPL’s Western History and Genealogy Department (also known as “WHG”), these materials can be requested at the information desk on the 5th Floor of the Central Library.

Once the items are requested and paged, you’re ready to check out, right?

Well, actually, no. Closed stack items cannot be checked out. These items are meant to be used in the Western History and Genealogy Department’s Mullen Manuscript Room. Before entering this special room, a friendly staff person will provide you with a free locker to secure your belongings, including any backpacks, purses, coats, bags, laptop cases, books, notebooks, pens, drinks, and food, as these items are prohibited in the room for the protection of historical materials.

Whoa, you say. Why all the rules?

Items in WHG’s closed stacks are often rare, one-of-a-kind, or fragile. It is the WHG’s mission to make sure historical materials are available for generations to come, so items are stored and handled with extra care.

As mentioned before, these items (and all items in the Western History and Genealogy Department, for that matter) are not available for check out. While it may be a bummer that you can’t take these materials home, this policy also ensures that these items are always ready and available for you when you visit WHG!

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Denver Dining of Yore: The Watrous Bar and Café

Interior view of the Watrous Cafe in Denver, Colorado; decor includes a fountain / trout pool, a coffered ceiling, stenciled ornaments, hanging lamps, tuck and roll upholstery, painted ceramic tiles, and taxidermic mounted animal heads, fowl, and fish.

In 1909, the Watrous Bar and Café was called “the largest, finest and most completely equipped bar and café in the West” by the newspaper The Denver Republican.

Established in 1887 by Mart H. Watrous (1859-1918), the bar and café was located at 1525-1527 Curtis Street—today, the site of a parking lot. The place had a reputation for wines and liquors “of known purity and of highest grade” (unlike the cigarette-and-gun-powder whisky Kellen recently blogged about), and its 1906 menu featured 11 types of whisky and six varieties of beer. The Watrous’ large menu boasted fine foods such as oysters, lobsters, and chops, as well as mallard duck cooked to order, limburger cheese sandwiches, and imported frankfurters.

Of its polished hardwoods and mirrored walls, the Republican remarked, “Everything is suggestive of costly luxury.”  This luxury was meant to cater to customers of means—and more specifically, male customers. The establishment was described in 1909 as being “exclusively for gentleman.”

The Watrous Bar and Café, however, was home to some rather ungentlemanly behavior. On February 11, 1899, roadhouse owner Joseph “Rowdy Jo” Lowe was shot and killed at the Watrous Bar and Café.

Of the incident, it has been said that on the evening of February 11, Lowe drove into the city from his roadhouse and left his horses hitched without blankets in single-digit temperatures. The animals were taken to a stable by policemen while Lowe was reprimanded. Lowe made his way to the Watrous Bar and began loudly criticizing the police department, inciting an argument with Emmanuel A. Kimmel, a former police officer. George Watrous, a bartender at the time, later testified that he saw Kimmel draw a pistol and shoot Lowe several times in the kitchen of the restaurant. Lowe died an hour later. Despite Watrous’ testimony, Kimmel was acquitted. George Watrous’ scrapbook documenting the case and other high-profile Denver crimes is available for research in DPL’s Western History and Genealogy Department (C MSS –M822).

There were, of course, many pleasant things that occurred at the Watrous Bar and Café, too. Mart Watrous established a yearly custom that illustrated the appreciation he had for his employees:

On every New Year's day, the employees conduct the business of the house and are allowed to retain the entire gross receipts of the day, divided in proportion to their salaries and length of service within the year. Last New Year's day [1908] the receipts amounted to $912.25 [which would be the equivalent of around $23,000 in today’s money].

After the death of Mart Watrous in 1918, George Watrous became the president of the incorporated eatery. When George died in 1926, the Watrous Bar and Café ceased operations.

Photographs and a menu from the Watrous Bar and Café (Menu Collection, C MSS WH1509) are available for research at DPL’s Western History and Genealogy Department.

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A Party in the Streets: Denver, Armistice Day, 1918

March of democracy on 16th Street

Ninety-five years ago, on November 11, 1918, Denver celebrated the signing of an agreement between Allied forces and Germany that ended World War I.

A very vivid description of the first Armistice Day celebration appears in the November 1918 issue of Municipal Facts, a monthly newsletter once published by the City and County of Denver (1909-1931) that reported on the previous month’s happenings.

The photographs and words used to describe November 11, 1918, certainly depict a joyous Denver—thankful that the war was over and simply happy to be out and about. A killer influenza pandemic had gripped the nation and Denver had placed restrictions on public gatherings to curb the spread of the illness.

The Municipal Facts article “The Day of World's Liberty as Observed in Denver” describes how the party broke out early on November 11, 1918:

The news reached Denver in the dead of night after the city had gone to sleep. Suddenly a great clamor broke forth; whistles blew, bells rang, and the harsh calls of newsboys brought citizens to bolt upright in bed with one word upon all lips—Peace! People poured from hotels and rooming houses downtown; automobiles, piled high with their shouting human freight, came honking from the residence districts into the business section, and a celebration had started that lasted with little intermission for forty-eight hours. Awakened by the tumult in the early morning hours, Mayor Mills proclaimed a public holiday and dav of thanksgiving.

At the time of the Municipal Facts article, there was already talk of designating November 11 as a federal holiday (it eventually became one—Armistice Day—in 1938). Suggestions for naming the day were plentiful: Liberty Day, Wilson Day, Victory Day. As the article notes, “Another proposal is that Thanksgiving Day, instead of being celebrated on the last Thursday in November, should be fixed permanently on November 11.” 

The first celebration of Armistice Day was “wonderful in that it was entirely impromptu.” By morning, many stores and businesses had dismissed their employees for the day. Crowds in the streets grew so large that they halted trolley traffic in the business district. Then, there was a spontaneous parade:

Touring cars, motor trucks, crowded with the cheering employees of the city's industrial houses; wagons, motorcycles, bicycles, everything on wheels paraded up and down Fourteenth, Fifteenth, Sixteenth, Seventeenth and Eighteenth streets. Speed rules were broken with impunity as motorists stepped on their accelerators to create a greater din with the strings of empty oil cans and tin buckets tied to the rear axles. Hour by hour the throng of pedestrians swelled, marching in the center of the streets and on either sidewalk, while automobiles whizzed wildly between the milling thousands. Yet with all this commotion and excitement and confusion only nine accidents were recorded on the police surgeon's book.

The crowds were composed of all types of Denverites:

…laborers in their overalls, bakery girls and dairy girls in white caps and aprons, stock-yards employees on horseback in cowboy regalia, shop girls, clerks, soldiers, who will never get to France; businessmen, occasionally one wearing a high silk hat to add to the merriment of the occasion; ragged urchins and little girls in costume, pretty girls wearing saucy paper hats and thrusting powdered pom-poms into everyone's face, fantastic figures in carnival attire, sober-clad Red Cross nurses, all united to give that touch of hilarity so typical of the celebration everywhere. As the crowd surged along it scattered into the air gay little clouds of confetti and colored streamers. It stamped and whistled, it tooted paper horns, it sang and it cheered.

Modes of celebration included casting ridicule on German Kaiser Wilhelm II:

[The crowd] laughed and vented its immeasurable scorn upon rag effigies, crowned with saucepan helmets, of that poor, deluded creature that dreamed he could crush liberty in the world…It was one of the favorite modes of diversion to treat with considerable nonsense these effigies of one, William Hohenzollern. He was burned at Sixteenth and Curtis streets, hung to the trolley poles, dragged at the tail-boards of motor chariots, kicked and buffeted, plastered with signs of derision, treated with a vast contempt.

In Denver, the party continued until after midnight on the morning of November 12, and Municipal Facts declared the day would “…go down in history as the first international day of rejoicing.”

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The History Of The Denver House That Inspired A Horror Film

Portrait of Treat Rogers

A Ghost Story Gets Fact-Checked

Last week, I wrote about Russell Hunter’s paranormal experiences while renting a Denver home near Cheesman Park in the late 1960s. These experiences became the basis for a 1980 Hollywood horror film called The Changeling.

This week, it’s time to fact-check this ghost story! Using genealogy and house history tools available on DPL computers and in the Western History and Genealogy Department, we were able to track down a few surprising tidbits.

1. Did Russell Hunter, writer of The Changeling, really live in the “haunted” house at 1739 East 13th Avenue for two years in the late 1960s?

We’ll have to take Hunter’s word that he actually rented the home.

Denver city directories and telephone books cannot confirm that Hunter lived in Denver at 1739 East 13th Avenue in the late 1960s. Hunter said in interviews that he moved to Colorado from New York City in the 1960s to help his parents manage the Three Birches Lodge in Boulder. According to Boulder city directories, Pearl E. and Russell H. Ellis managed the Three Birches Lodge in the 1960s. Despite their “Ellis” surname, these were in fact Russell Hunter’s parents. “Russell Hunter” was born “Russell Ellis” and presumably made a name change for his career in show business. This name change is substantiated in the 1930 U.S. Census and the Social Security Death Index (both available in Ancestry Library Edition - available for FREE on DPL computers!).

2. In the attic of the 13th Avenue home, Russell Hunter claimed to have discovered a trunk containing “a nine-year-old’s schoolbooks and journal from a century ago.” The journal detailed the life of a disabled boy who was kept in isolation on the third floor of the house by his parents. Later, Hunter said a séance revealed the spirit of a deceased boy lurking in the home. Did any children live in the house at 1739 East 13th Avenue at the turn of the 20th century?

At the turn of the century, a childless couple lived in the home at 1739 E. 13th Avenue.

The couple, Henry Treat Rogers, a prominent lawyer (1837-1922), and his wife Kate Rogers (1865-1931) filed a permit with the City of Denver in July 1892 to build a “brick dwelling” in the Wymans Addition of Denver. Architect Henry Ten Eyck Wendell designed the home.

Though the couple did not have children, they did have a niece and nephew who spent time living in their home.

The niece, Frances Clarke Ristine (1881-1934), came from Illinois to live with the Rogers when she was 10 years old and stayed until her marriage to George Ristine. After living in Chicago for several years, Frances and her husband returned to Denver after the death of her uncle, Henry Treat Rogers, in 1922, and lived in the 13th Avenue house with Kate (who formally adopted Frances as her daughter around 1927). Frances became the longtime secretary for Denver Orphans Home and the president of the Globeville Day Nursery while living in Denver. She inherited 1739 E. 13th Avenue and a small fortune after the death of Kate Rogers in 1931. Frances Clarke Ristine died in 1934.

The nephew, Henry Treat Rogers II (1892-1918), graduated from Yale in 1914 and came to work in his uncle’s law firm, Rogers, Ellis & Johnson, around 1916. This younger Henry Treat Rogers also lived in his uncle’s house on 13th Avenue, however, he enlisted in World War I in 1917 and never returned to the house. He died in 1918 at the age of 25.

There were conflicting reports about Henry Treat Rogers II’s death. While one obituary claimed that he died from physical exhaustion on August 18, 1918, in Cincinnati, another claimed he died in France “from the effects of nervous strain from the close application of his duties.” A memorial fund at Yale was established in his name by his uncle, Henry T. Rogers.

Despite what we've learned about the Rogers family, many other mysteries of the house at 1739 East 13th Avenue remain—and the answers may well dwell within the resources available at Denver Public Library!

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This was a great read, and certainly sheds light on a story I have been fascinated with since childhood. The more facts I come across like this, the more Russell Hunter's account 'doesn't add up', specifically, the time frames don't line up with the claims. If Russell found a 'century old journal' in the 1960's, then that would mean obviously the journal would have been written in the 1860's...30+ years BEFORE the Henry T. Rogers house was built. Of course using the term "century old" may have simply been an exaggeration at the time of his quote. But if the journal was written after the house switched residents after the death of Frances Clarke Ristine in 1934, then that was only 30 years before Russell would have taken up residency (allegedly)...making the age of journal claim even more bogus.

Reading all the facts around the claim and studying the story for years, I have came to the following conclusion. It's very possible Russell Hunter did find a journal of some sort in that house (if it's true he did live there). But it was most likely the journal of Russell Hunter II, written during the early 1900's, and probably talked about 'good times and good memories in that house' versus the dark fictional version Russell portrayed. I think finding that journal in a big dark mansion strummed up lots of great ghost story ideas for Russell, who then fictionalized the rest of the story based on that one concept. And since Hunter was a professional script writer at the time, the brilliant premise of the Changeling would have been easy to architect for someone with his background.

I'd love to hear anyone else's thoughts about this, as I am sure there are other great 'Changeling' fans out there too!

Chris M

CORRECTION: I meant to say 'journal of Henry Treat Rogers II', not 'Russell Hunter II' in my original post.Sorry for the confusion. I love reading everyone's comments, this is great stuff. Keep em coming!

When I was 9 or 10, I used to bag Mr.Hunter’s leaves. He lived down the street from my family, with his black dog “Loki”. His house was filled with antiques and a large piano, which he played well. I witnessed a few interesting situations at his home. The story he told me, was of a little boy who was killed by a coal cart, in front of the mansion. The boy’s name was “Eric”. That was the spirit that haunted the mansion and supposedly followed Mr. Hunter to his new residence, near me. Great individual. I moved in 88. Never saw him again. I believe he passed in 94?

During some of the marvelous cast meetings, rehearsals, and parties at Russell's home during production of this musical, Russell readily admitted that some of the story of the Changeling was embellished, but the tale is a WONDERFUL one, and I remember snippets of others he gifted us with as well. He was a wonderful playwright and director, and I loved being part of that show at Loretta Heights.

Fascinating. I've been trying to find information about his theatrical work (especially 'Little Boy Blue,' his Changeling inspired musical but have found nothing anywhere. Would you be willing to answer a few questions? :)

It's pretty interesting that many of the facts and fiction do line up. We've had strange and weird incidents but we're living on old Indian burial groundd and living area. Progress. If the Chessman Park area was built on a cemetery area, but it wasn't greed and avarice like moving headstones but not the bodies (Poltergeist ---S. Spielberg ), not all burial grounds are known, it's a believeable story and ever more frightening to know it really happened. I love the film. One of the classiest and scariest spook films ever made w/o the hokiness. Still scares me on my 250th viewing in complete darkness. Dad and I are gluttons for punishment. Love it and the sound/music.

I agree!! This has been one of my all time favorite horror films. And one of the best soundtrack/scores EVER. However, unfortunately watching this film in complete darkness doesnt scare me anymore (nothing much does) but I must admit it can give me the heeby jeebies. I was 7 or 8 years old, the first time I watched the film and I'm almost 40 now, I've been a spooky house kinda fan ever since and George C Scott was always my favorite actor. It's made without gore, stupid ghost faces, and the acting is superb!! Even if the inspiration for this horror classic was indeed fictionalized it still inspired a great movie, such as amityville. But, this somewhat unknown horror movie completely out ranks the amityville. Two thumbs way up for me on the movie and two thumbs way up for the score. I loved the music so much I listen to it a lot on YouTube. Bravo

Dad and I would watch for great spook fulms.....and he introduced me to this. It was always the same. "I'll make the popcorn (w/tons of real butter of course ) and you make the iced tea!!!!" We have always done this---- "Psycho," "Dr. Sardonicus," "Screaming Skull," and a whole host of other really good thriller, suspence, my try and all of the above. Anyone remember that scene in Poltergeist where the guy "gets something to eat?" His movie "Duel" car v 18 wheeler was soooo like the Chessmaster House on the run; wheels and all.

Agree with everything you wrote above, "Bones" - thank you for admitting how many times you've watched this movie - you may have me beat!! Whenever my sister visits from Australia it's a must watch - and I the music is phenomenal. I bought the CD which is rare - was pretty hard to find. We love George C. Scott and the entire cast. I even visited Cheesman Park when in Denver 2 years ago - spent a half a day there plotting out where the house stood and everything! The story is undoubtedly embellished, but that park is truly haunted.

Correctly known as, "Cheesman Park" and pronounced like "cheese," it was great fun to look up the address of where the house used to be when I visited Denver, CO, in summer of 2016. I spent a few hours hanging out and reading a book while lying on a blanket on the great lawn of the huge park. Knowing that there are still about 2,000 bodies still buried under the place which used to be a cemetery is pretty spooky indeed. And the story about the con artist to whom they gave the job to move the approximate 5000 bodies is nothing short of horrifying. "The Changeling" will always be my favorite scary haunted house film.

It's been awhile since you wrote your comment, but I hope you'll see this. I should start by saying that I had a bit of difficulty in trying to figure out Mr. Hunter's timeline of events, as well. I think you're probably correct in assuming Mr. Hunter penned what became a very good haunted house film. The 'long forgotten journal', the 'spooky old house' (which in the 1960's, I'm sure it was so considered) are just perfect for a ghost story. It's long been one of my favorite movies, and I never would have imagined a ball rolling down a flight of stairs could frighten me so. :) It is beautifully shot, well-scored, and the sets are fantastic. And, of course, it has George C. Scott in the lead - one of our finest actors. It's also a movie that depends more on atmosphere and character than it does jump scares or blood-letting. The tragedies of both the past and the present make the haunting and the haunted so believable.

I loved the movie Changeling so much but always wrongly assumed this was a clever screen play. I'm pleased to know I will next be going to ebay to find a copy to read. Books add so much more detail. I suspect some portion of the story is true. Perhaps the surroundings inspired the author. I've owned several large Victorian mansions and actually had an encounter while refinishing book cabinets in the library, of one. It was the owner that stood staring at me in white shirt, narrow, short, black, 1950 tie, black suit. I'd been to the Kansas City Museum a few days prior to the encounter and found a book listing the homes of my neighborhood. A photo of 320 Benton Blvd from 1890 and Mr Fredrich Heim, owner. It was the same man in the same clothes in my library. Scared the crap out me! I felt I'd been in a deep freeze and was covered in goose bumps. I immediately left the house. I went to my other home in the neighborhood and went back the following day. I never saw Mr Heim again or had anything unusual go in that house. I think was just making sure I was taking care of his house.

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Thanks for your comments, Chris. Looking forward to hearing from more 'Changeling' fans--especially as Halloween approaches!

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I had originally read this story when it was published as an article on the old ' Denver Magazine' back in the late 70's ( the old Denver Magazine not to be confused with a more recent version with the same name). The account that I read in this article said that the house was on the east side of the park- over nearest to what was a cemetery ( Now the Denver Botanic Gardens ). Anyhow, the premise of the story was pretty much the same, only this account had the 'changeling' being sent away to Europe right before WW I , presumably to convalesce.
The war intervened and he returned home after the conflict and assumed his place in the family. Upon the fathers seat, he inherited the family fortune and went on to become a state senator. Believe it or not, the magazine went as far to disclose the family names as " Phipps" ( yes THOSE Denver Phipps ! ). According to the article, when Hunter published the book, the family took all worst of action to stifle and squelch the book and story. Hunter had claimed that a 'hit' was even put out on him. The article follows more the story of the movie. I have made attempts at researching were the Phipps family had lived at the time ( there was one large mansion on Colfax Ave., and another account of a house at Cheesman Park- but nothing more specific). I have not been able to locate any copies of the article and there seem to be no more copies available of the book itself ( out of print, and non over the internet ). Hunter had claimed that the family made every attempt to see to it that all accounts of this version of the story 'disappear'. If this account is true- then they were successful.

Thanks for reading, Dave! I have not been able to track down any copies of Russell Hunter's book or the script to his musical "Little Boy Blue." But there is some good news! The article you mentioned from Denver Magazine is available here in DPL's Western History and Genealogy Department: "The Changeling: Denver's $8 Million Ghost" by Russell Hunter, Denver Magazine, v. 10, April 1980, p. 48.
Stop on by and see us!

Katie, I would like to get in contact with you. My boss was a friend of Russell Hunter, and invested in some of his work. Long story short, my boss passed away a few years ago, and he left a box of original manuscripts that he got from Mr. Hunter. I now have them and don't know what to do with them. Little Boy Blue is not among them, but The Changeling is. There are several. Anyway, I would like to hear back from you about these. Thanks.

Thank you so much for reaching out, Cat! These manuscripts sound very interesting! Please take a look at our Donor Packet, which outlines the donation process and also gives the contact information for our Acquisitions Archivist, Jamie Seemiller: https://history.denverlibrary.org/sites/history/files/SCA-Donor-Packet… Thanks again for contacting us!

i have written several books on local (denver/boulder) ghost stories, most notably the croke-patterson mansion... i would love to hear more about these manuscripts. the changeling is near and dear to my heart—grew up watching it in boulder, and now i love in seattle (with a degree from UW).

I have copies of some books Russ wrote. He was my husband’s cousin and we spent many hours together. They are some of my most prized possessions.
I would be interested to know who the man in the picture is as it is not Russell Ellis Hunter.

I read the same article. I remember Russell said the last night in that house was horrifying. I thought I read it in "Parade" part of the Rocky Mountain News. I wish we could find the article.

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Well, isn't this fascinating! I happened upon this article by sheer chance, and glad I did! Like others who have commented, I too fell in love with this movie when I first saw it via VHS in 1990. It scared the daylights out of me and to this day, I consider it one of the best ghost movies and story that has ever been made. It is truly a masterpiece. In fact, like others on this comment board, I too was so captivated by the story that I also have done research on Treat, Hunter, the home, Chessman Park, etc. albeit on a limited resource basis. I do not know if Hunter's personal experience is true or not, but I will say that I find it VERY interesting that there seems to be little documentation on the home, and those who have lived there, other than what it mentioned in this article. Also, Hunter's book seems to be impossible to find. So, this too is fascinating to me. Little seems to exist in fact about Treat and his wife as well in terms of financial interests, professional documents, etc. I did find a speech that Henry gave to a Yale Alumni dinner once, but that's about it.

In any case, like any good writer would likely do, embellishment and keeping the story alive is part of their job. Shoot, here we are 40+ years later talking about it! And loving it! Ha! I'd say that Russell Hunter certainly achieved his goal in this sense. As to his personal experiences with the story, well, I have legitimate paranormal experience myself and I have to say that his experiences are very similar to mine, so I personally believe most of his story - whether they were obtained at the Treat home or not. I believe he did experience these things at some point as they are too real, and too similar, to my own for me to cast doubt on them.

To Russell Hunter - Thank you for such a great story! Your story lives on!

I agree an believe that they are real enough to be true I also fill the same of haunting s an have had similar things happen I also remember a story of a Dr Bradley an I believe the physic he refers to is Lorraine Warren I got this information from the DPL artificial from Denver Magazine 1980 at DPL please tell me of anything else that might be remembered I have lived in Colorado most of my life an the 70s were times that people were talking about ghost experiences i was in my teens then now I am 60

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Katie, Would you be interested in coming on the Good Living by Design internet radio program to tell a little about this house and Russell Hunter's story? It is very interesting to see how writers and researchers can track down such factual tidbits that may change how the history of an event is perceived. If this is something you would be interested in, please let me know! October 31st is available, we are located in Highlands Ranch.
I look forward to hearing from you..
Victoria H.

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Our family, the Richard L. Fenton Family, lived in this home for about 3 years, from 1959 through 1962. We belonged to the Immaculate Conception Cathedral and we all went to the Cathedral elementary or high school, located a few blocks north of the Cathedral (the school closed down shortly after we moved). I am the youngest of 7 children who lived at the home. I loved this beautiful home while we lived there and have a few photos of the home during that time frame. My sister had her wedding reception in this home and my parents celebrated their 25th wedding anniversary here, so I also have photos of the dining and living rooms where family photos were taken. Anyway, we did not have any hauntings during our period at the home. I do recall being told that the owners had some of their belongings stored in the attic and we were not to go up there. I don't believe we ever did. The owners also left a baby black grand piano in the front foyer area. There was black and white octagon tile in that area and it looked stunning there. My mother loved playing that piano, although she also had her own upright piano in the living room. The Smiths owned the home behind us on Williams St. Mrs. Smith used to host bridge games at her home and I used to play with her son, Lincoln, until he started school. I remember driving by the home about 9 years later and it was in total disrepair. I was heartbroken at how much the home had deteriorated and it looked like they were renting rooms out. What a shame that this historic home was later torn down to be a parking lot for a high rise building. I believe that any spirits that entered the home later were conjured up by the occupant. We didn't know anything about these hauntings or the movie that was made about the home until about 3 years ago when my sister did an online search of the address.

I now live at Summerhouse where the house used to stand. Is there any way you could possiblely email me some of your pics. we are showing the movie Thurs night the 22. Some pics would be wonderful. if you reply with your email or phone I will get back to you.

Hi Parker, Below are links to the photos (downloadable) in our Digital Collections. Have a great viewing party! Portrait of Henry Treat Rogers http://cdm16079.contentdm.oclc.org/cdm/singleitem/collection/p15330coll22/id/70822/rec/1 Residence at 1739 East 13th Avenue, Denver http://cdm16079.contentdm.oclc.org/cdm/singleitem/collection/p15330coll22/id/74340/rec/1

Sorry, I just now saw your posting! I have two pics of the exterior of the home. We have a few photos of the fireplace in the living room (my sister's wedding party) and one of the dining room (during my parents' 25th wedding celebration) and one of my brother, sister and I sitting on the staircase. I just now saw this posting. If you can give me your email address, I can send them to you. Maybe you can have them the next time you show the movie. -Kathy

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Be sure to check out our two other posts on The Changeling:

https://history.denverlibrary.org/news/revisiting-denvers-changeling-house

https://history.denverlibrary.org/news/denver-house-inspired-horror-film

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Thank you Katie A. (Fenton). I lived in an old house near Colfax when my sisters and I went to Cathedral too!!! We have great memories. I never did like to do the laundry in the basement....

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I'm curious about the demolition. He claims a workman was killed when the building was demolished. Has this been verified? Looked like a lovely house. Such a shame it was torn down.

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Thanks for commenting, Jane! Great question. We haven't been able to find evidence in our newspaper indexes that a worker was killed when the building was demolished. We have been trying to pin down an exact date on the building's razing, and we believe it occurred either in the spring of 1971 or 1972.

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I was just watching this film. It has been one of my favorite horror movies since I was a child. I recalled it was supposedly based on a true story so I went online and was so pleased to read these articles and comments looking into the past!

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Hi, I was at a screening of the film at the Egyptian in Hollywood, CA last night. Peter Medak was there after the film and took some Q&A. I was the last person to ask, "What is the true story of the Changeling?" There was a quick chuckle by the interviewer, then Medak said that there was a murder, and a changeling, and that the wife of one of the producers had researched the story,Diana Maddox. He then went on to talk about another film altogether. Well, at least I tried ; D

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Just saw the film again after many years, and it's a masterpiece. This background information is fascinating, and i'm going to read further...wish I lived in CO!

Always a great film to revisit, Selma! Even though you may not live in Colorado, you can still do research--check out all of our digitized resources at digital.denverlibrary.org!

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I saw this movie when it first came out . I saw it again several years later. I was surprised to learn the house was a set and that the interior shots were all on a set. Martin Scorcese named it in his top 10 list of scariest movies of all time. The seance scene was really scary. I don't think this story is all that implausible . There are a lot of people with money and power that feel they live by separate rules or no rules greed, and self entitlement . I'm sure there are plenty of untold stories out there. Probably stories that would shock the hell out of people. I'm very surprised the house was demolished. How did that happen? Such a waste. George C. Scott was great in this film as was Melvyn Douglas. When they dug up that well in that house, I had chills for days. You just never know what's lurking below!!!

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A Denver House That Inspired A Horror Film

In The Spirit of Halloween, Ghostly Tales from a Cheesman Park Residence

The 1980 film The Changeling is based on the paranormal events Russell Hunter experienced while living in an old home near Cheesman Park in the late 1960s.

Hunter had worked as a musical arranger for CBS-TV in New York City, but moved to Colorado in the mid-1960s to help his parents manage the Three Birches Lodge in Boulder. In the late 1960s, Hunter began looking for an apartment in Denver where he could live and work on his music. He rented a home at 1739 East 13th Avenue (which has since been torn down).

Hunter claimed that beginning on February 9, 1969, he started experiencing strange phenomenon in the house. First there was the “unbelievable banging and crashing” that occurred every morning at 6 a.m. (and stopped as soon as Hunter’s feet would touch the floor). Then, faucets began to turn on by themselves and doors opened and closed on their own. Walls vibrated violently, tossing paintings to the floor.

Shortly thereafter, Hunter and an architect friend uncovered a hidden staircase in the back of a closet. The stairway led to the third floor of the home where Hunter found a child’s trunk containing “a nine-year-old’s schoolbooks and journal from a century ago.” The journal detailed the life of a disabled boy who was kept in isolation. The boy wrote about his favorite toy, a red rubber ball. A few nights after discovering the trunk, a red rubber ball dropped from the top of a spiral staircase in the home.

Hunter claimed that a séance revealed the story of a sickly child who was heir to a fortune from his maternal grandfather. When the child became gravely ill, his parents worried that the boy’s inheritance would pass to a different branch of the family. When their son died, the couple secretly buried him in a field in southeast Denver and adopted a boy from a local orphanage who perfectly resembled their deceased son. They trained him to take on the identity of the deceased boy (hence, the “changeling” film title) and the boy went on to become well-educated and successful.

Hunter declared that it was the deceased child who spoke through him at the séance, revealing directions to his burial place under a house on South Dahlia Street. Hunter stated that after gaining permission to dig under that home, human remains and a gold medallion inscribed with the deceased boy’s name were found in the grave. A few days later, Hunter stated that he began to experience more violent ghostly activity in his home. He said, “glass doors blew up in my face and severed an artery in my wrist. The inner walls over the head of my bed violently imploded.”

Hunter left the house and only returned to it again to watch its demolition make way for a high-rise apartment building. He remarked of the razing, “As the walls of the wing which had contained my bedroom collapsed, they suddenly flew outward and crushed to death the man operating the bulldozer.”

As Phil Goodstein points out in his 1996 book The Ghosts of Denver: Capitol Hill, the historical details in Hunter’s story don’t exactly check out.

What can historical records tell us about the house and people that inspired the The Changeling? Next Wednesday, we’ll consult resources readily available in the Western History & Genealogy Department to fact check this frightening ghost story!

[Want to hear more about Russell's recollection of his paranormal experiences? See "The Changeling: Denver's $8 Million Ghost" by Russell Hunter in Denver Magazine, v. 10, April 1980, p. 48 — available for research in DPL's Western History Department).

Absolutely! I saw it as a kid and couldn't sleep after that. I saw it last year, and yep, still extremely scary. That soundtrack is perfect for shivers up the spine. Movie poster sucks. They shouldn't give it away like that.

Just that red rubber ball bouncing down the stairs soaking wet after it had been thrown in the river gives me the shivers, better than any modern day shock and gore so-called horror.

Ohh man, I saw the ball come bouncing down those stairs! I am like the hell out of that house. All the paranormal stuff I couldn't take that. Would give me nightmares and scare me half to death. I believe in ghosts and that's explation for everything. Still the best horror movie.

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Be sure to check out our two other posts on The Changeling:

https://history.denverlibrary.org/news/revisiting-denvers-changeling-house

https://history.denverlibrary.org/news/history-denver-house-inspired-horror-film

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One of the first scary movies I ever watched as a kid, and still my favorite. to this day, I cannot walk up a flight of stairs without watching the top to see if a goddam little wheelchair comes rolling to the edge...

This made me cackle. Thank you. Like everyone else here, I love this movie so much. Doing up the bathroom in a house for a party this Saturday and stumbled on this article. This movie still scares me. I love it!

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The Changeling is one of the Best suspense horror movies and with a good cast too used to have it on home video

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The Changeling is one of the Best suspense horror movies and with a good cast too used to have it on home video

Hi Francesca! You may interested to know that DPL has two DVD copies of The Changeling in circulation:
http://catalog.denverlibrary.org/view.aspx?cn=754801

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The bathtub scene scared me to death! After seeing the movie, the lights had to be on in the bathroom and I couldn't look at the tub!

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My family (parents w/ 7 kids) moved into this house in '59, when I was 8 yrs.-old. I was a huge house with two separate stair cases leading to the second floor, one with a halfway landing and the other was an enclosed spiral coming off the kitchen (for previous servants). I never experienced any paranormal activities (perhaps the ghost enjoyed the company of all the children). I still have a photo of what it looked like in 1960 ish.

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It's Halloween night and I'm watching it right now on HBO. Can't think of a better film for the occasion. Best horror ever!

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Favorite scariest part is when that ball comes bouncing down the stairs after John threw it into the river.... Still wet....

I don't like when the little girl's mother is relaying her daughter's nightmare the previous Monday to John Russell. Don't rally know why, maybe the acting because she was good. I only ever watch it with the wife on DVD.

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We did the Banjo Billy's Ghost Tour on Halloween and this was one of the stories they told! The location is called the Summer House now. Never seen the movie, just ordered it!

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Definitely my favorite horror movie. I love that it's scary, suspenseful, and investigative. Have it on VHS and DVD. I watch it at least once a year and it still gives me chills. I enjoyed reading this article that inspired the film.

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Does anyone know who the child actor was? I have tried looking but it doesn't appear anywhere I have looked. I love this movie and have since the first time I saw it. the basic premise of this movie is perfect he doesn't need blood it doesn't need or it is a truly terrifying movie and you become part of the movie. I love that it makes you actually scared because you think about it , not using cheesy visuals to make you scared.

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Paris, 1924: Mira C. Bostwick Travel Diaries

A Year Abroad During the Roaring Twenties

If you’ve seen Woody Allen’s Midnight in Paris, you’ll recall how a vintage taxi transported main character Gil (Owen Wilson) back to 1920s Paris each evening.

Two travel diaries from the Harriet Scott Palmer Family Papers (WH1453) have nearly the same time travel powers.

Written by Mira M. Camp Bostwick (1867-1932), the diaries detail the adventures of Mira and her daughters Prudence (1897-1988) and Dorothea (nicknamed “Bit”) as they traveled throughout France, Great Britain, Belgium, Germany, Switzerland, Italy, Greece, Turkey, Israel, Syria, and Romania, from July 1924 until July 1925. The family spent several months in Paris, studying art and the French language, and witnessed the 1924 Summer Olympics:

July 17, 1924 Thurs. We all went with Harrie and Miss Henderson to Musée des Arts décoratifs, in the end of Louvre. Saw furniture, chairs, etc. with wonderful rooms whose walls were entirely of wood decorated with wonderful hand carving. Saw swimming in Olympic games with Mr. Kelley, Natation,  Mercredi 16 Juillet ’24. Never ride in a taxi anywhere and have it wait for you if there is any other feasible to return!

Like most travelers, Mira, Prudence, and Bit experienced many "ups" (touring the British Empire Exhibition in Wembley, visiting excavations in Pompeii, watching Rudolph Valentino in Monsieur Beaucaire at the London Pavilion Theater ) and a few "downs" (eating an “unsatisfactory” breakfast of biscotti in Rome, swimming in frigid waters off Wales, suffering through days of rough seas in the Atlantic).

These diaries capture the incredible travels of the Bostwick family—women who had the means, education, and adventurous spirit to live a year of life abroad during the mid-1920s.

See the Harriet Scott Palmer Family Papers (WH1453) and many other fascinating manuscript collections in the Western History and Genealogy Department at the Central Library.

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Denver's Bygone Markets

A man stands in front of a truck with a basket of produce

What Happened To Denver's Wazee and Denargo Markets?

Long before the era of King Soopers and Whole Foods, stagecoaches and ox-drawn wagons hauled produce to the Denver area. As a result, Denver’s earliest consumers endured high prices. A pineapple was rumored to sell for $7 and a single apple could cost $1.25!

As Denver’s population grew, more sellers and more goods rolled into town. By 1883, three curb markets on Fourteenth Street, Lawrence Street, and Welton Street were established by city ordinance. A permanent market (Barth Market) was set up at 23rd and California Street, but by 1899 it was moved to the west bank of Cherry Creek, north of West Colfax Avenue. Despite lacking railroad access, this was the center of Denver’s local produce trade for nearly 40 years.

By 1938, the City of Denver looked to relocate the Cherry Creek market to Jerome Park (West 8th Avenue and Osage Street), but their plan failed as the site’s location was deemed inaccessible to northern Colorado growers. Two other sites were favored by Denver’s business community due to their adjacency to railroad tracks. Although it was believed the growing city of Denver could only support one market, both sites became successful city markets.

The Denver Market & Produce Terminal, Inc. built the Wazee Market at a cost of $1 million on a historic Auraria site that extended between 9th and 13th Streets along Wazee Street. The Wazee Market had four large produce buildings containing 27 store units, four sheds that accommodated 248 growers’ stalls, and what was hailed as “the most modern banana handling plant in the country.” The market opened on Colorado Day, August 1, 1939, and was serviced by five railroad systems. After World War II, the market expanded to include the sale of refrigeration equipment, furniture, radios, shoes, and clothing. Shortly after the Denver Urban Renewal Authority purchased the five-block Wazee Market for $2.7 million in 1974, it was demolished.

The second market, Denargo Market, was built by the Growers’ Market Association on thirty acres of land at 29th Street and Broadway. The Denargo Market had access to the Union Pacific railway and boasted 504 growers’ stalls, an administration building, refrigeration plant, restaurant, and its own barber shop. It opened on May 20, 1939. On July 7, 1971, a four-alarm fire devastated the market. Today, the Denargo Market is the site of a major redevelopment project.

To learn more about the Denver’s Wazee and Denargo markets, check out the Western History and Genealogy department's Western History Subject Index, newspapers on microfilm, and digital photo collection.

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I don't believe that the fire at the Denargo Market occurred in July of 1991 as I worked for a produce operator based in the market then as a semi driver, at least not in the main market warehouse building. I worked for D.C. Metzger there that summer, who was around the middle south end of the building. When was the building finally torn down? Probably not until a decade ago if that long ago, though by then a lot of the former produce businesses had long moved away. Back then Federal Fruit and Produce was on the north end of the building as I had to drive by their trucks there every time too.

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Mark, thank you for reading and catching my typo! The four-alarm fire occurred at the market on July 7, 1971, not 1991.

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My father worked for Amato Fruit and Produce Co. They bought out Bourke Donaldson-Taylor in 1938. At that time they were located in the 1600 or 1700 block of Market St. In 1939 Amato.. moved to the Denargo Market as one of the first tenants. The facility had a modern banana ripening system in which there were several rooms where the temperature and amount of ethylene gas could be adjusted to control the ripening process. Dad was manager of the Banana Dept. He had to check on the controls seven days a week. We lived at South Downing and Alameda and dad would take the trolley to work on Market St. When they moved to the Denargo Market he bought a used 1933 Chevrolet because there was no convenient public transportation. Occasionally, my mom would take us three kids on the Downing St. bus to somewhere in the five Points area and we would walk across the Broadway Viaduct to meet dad for dinner at the Denargo Grill. There was also a garage and mechanic in the market where my dad had his car serviced while he was at work. While I was in Korea in 1951 my dad went to work for Federal Fruit and Produce in the market. I just thought I would add some background to your article on the Denargo Market. Thank you. It brought back some memories of my youth.

My grandfather had his business there. Walter Van Wert. He was in the wholesale fruit and vegetables business. I remember my grandmother talking about Carl Amato.

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My uncle Tony Sabell and his family had a produce business (Sabell's produce) I remember the big blocks of ice downstairs in the ice room. My cousin was shot and killed there in 1976. Miss going down there

Yes I remember when your cousin was shot. We were customers of Sabells amongst other vendors at the market. Spent years going to market every morning at 4-5 am to get the best ideas. It’s nice to reminisce about those days.

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Lloyd Barker was a manager at Denargo Market in 1949 when he was shot dead at his back door by his mentally ill wife. He was the only one of four sons of George Elias and Arizona Donnie (Clark) Barker to try to turn his life around, and he had served honorably in the Army during World War Two, after being released from prison in 1938. His brothers Herman (died 1927), Arthur "Doc" (died 1939), and Fred (died 1935) all met violent ends at the hands of law enforcement.

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My association with Denargo Market was strictly because my uncle owned several 18-wheelers and hauled produce into Denargo from as far away as California, Arizonia, Rio Grande Valley, Florida, etc. Along the Platte River and close by was a large truck terminal, Truck Denver, offering parking, service, food, fuel, etc. Between the river and the truck terminal was a pallet manufacturer with a rail spur and sitting next to it was Lester's Produce Brokerage. During the summer, it was common to see 18-wheelers parked along the riverbank selling watermelons, canteloupes, etc Safeway, Associated Grocers, the smaller businesses in the Denargo Market would use this brokerage to arrange for loads into their business. As a young boy it was absolutely fascinating being around all this activity and observing it first hand.

Billy, was your uncle Harold Hollaway? My father was Stanley Ranch and I vividly remember Harold. My father as well as Uncle Wesley and Johnny also owned trucks that hauled produce. I would love to hear from you and if you remember my father or uncles.

Yes it is for a while longer! He doing well for nearing 95 this June. He lost Lillian in ‘98 to cancer and he now lives in Bowie, TX. Were you part of the group that camped in the RMSP in ‘56 or ‘57? I know Johnny, Vicky went, Wes (we called him Fats) and family, Stanley, Harold and some others I believe. My dad, Harold’s brother Clay, drove for him. Spent a lot of summers hawking melons Long Platte River, riding back and fort in trucks to Safeway, AWG. Thanks for replying.

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Can someone please provide a history of the Grower's Café? When did it open and close? Thank you.....

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Does anyone recall or have any history of "Tom, the produce man" who drove the streets and alleys of the Highlands selling fresh produce from the back of his early '50's green Chevrolet truck.
The last I saw of him was the late '70's or early '80's.

Tom Figgolino was my neighbor! I have lived here for 43 years and knew he and his wife Emily till they passed. His truck was cool and loved his rose garden, Good folks!!

Tom Figgolino was my neighbor! I have lived here for 43 years and knew he and his wife Emily till they passed. His truck was cool and loved his rose garden, Good folks!!

I’ve been trying to remember his name. Tom. What a wonderful man My grandmother lived in sunny side and he was a part of my visits with her. I also would love to know about him

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I remember in the wazee market in the sixties, there was a bar and grill, The Old Number 7. Great food and drinks. It also burned down in the seventies

I think you might be thinking about Johnny Losasso, I believe he was the watermelon man and eventually worked (I think more for fun) at Federal Fruit and produce for my grandfather Joe Naiman; more to come in a coupleof weeks.

I think you might be thinking about Johnny Losasso, I believe he was the watermelon man and eventually worked (I think more for fun) at Federal Fruit and produce for my grandfather Joe Naiman; more to come in a coupleof weeks.

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We have an old water well drilling truck sitting on a corner in our county. "John Stamison, Denargo Market Wholesale Produce, Ph: Keystone 6523
I took photos and have been trying to find its history

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The Denargo Market supposedly was named such because it was halfway between downtown Denver and the Argo Smelter. My Uncle, Louie Lotito, had a tavern at the Denargo Market called “Luigi’s”.

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Just fyi, William L. Rossi, who operated the Rossi restaurant at Denargo Market, passed away this week due to COVID.

When I arrived in Denver back in 1960, found work at the Rio Grande Motor Way trucking company, located under the Speer Blvd bridge at the time. But a bunch of us would go to Rossi's for lunch back then, it was terrific as I recall, low cost, good Italian food. the Denargo Market, what a spot, the 'good old days' really were.

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My dad worked for bill rossi as a cook at his rossi denargo grill and I sometime worked as a busboy. We would also go to their home and get a couple of fishnets full of trout from their trout farm great memories

I also worked for Bill and Mom Rossi ( the real boss).I was 17 in 1968. Dishwasher, then busboy. There was Eddie working there and a tall black chef who absolutely freaked if he cracked an and found blood in it. Eddie and I loved that. We’re you there in 1968? A waitress was named Elsie.

I also worked for Bill and Mom Rossi ( the real boss).I was 17 in 1968. Dishwasher, then busboy. There was Eddie working there and a tall black chef who absolutely freaked if he cracked an and found blood in it. Eddie and I loved that. We’re you there in 1968? A waitress was named Elsie.

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Does anyone remember the Dutch Cafe in the Denargo market? My Dad, Stanley Ranch had many lunches in this historic cafe. Please respond if you know anything about it?

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Kerouac writes about the Denargo Market in On The Road - the original scroll, which led me to this article-

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Love learning this history and reading the comments.

Has anyone heard of Walter (Walt) Wager, Rhea Saxton Wager, or George Wager? I have heard that my family was involved in the Denver produce trucking business in the 1930's.

Thank you!

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Does anyone remember the Duchess Cafe in Denargo Market during the fifties and sixties? My father ate there an awful lot

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My grandfather, Rocco Archer (Arcieri) peddled NW Denver from the 1910s-1950s. He typically left for the Denargo Market around 4:30am and came back home from his route about 4:00PM. First by horse-and-buggy, later in a green 1930 Dodge truck with bright orange flaps.

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I remember going to the Denargo Market growing up. We’d do a lot of browsing and some shopping (if I remember correctly, as I know it was mostly wholesale) and then having lunch at Rossi’s. I miss that.

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My father Tony Simeone and and his brother Bill Simeone owned Simeone Brothers Potato Company on the Denargo Market from 1948-until 1975. I worked every holiday and weekends from the time I was 10 until going to work for Rio Grande Motorway. In 1970. Eventually end up the Principal officer of Teamsters Local 17. Everything I learned on the Denargo Market made me successful. Great times.

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My grandmother (Margaret Theisen) my mom and I would go to Denargo’s market every summer and fall to buy Fruits and Vegetables for canning. My Grand Mother was in a wheel chair and there was always someone there to help push here. The venders would offer me fruits. I loved being there, good Memories.

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In 1969 and 1970 I had a summer job at Ace Box Co near the market area. Ace made a lot of the crates that the growers and shippers used. So I always felt a connection to the area. However, it seemed to me that the bigger part of Ace's business was making ammo boxes for the Vietnam war.

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Denver Dining of Yore: Pell's Oyster House

Exterior of Pell's Oyster House

Why Was Denver Oyster-Crazed During The Late 19th Century?  

Pell’s Oyster House was part of the Denver dining scene for 56 years. In 1881, George W. Pell moved to Denver from Brooklyn, New York, and opened his restaurant along Arapahoe Street, between 13th and 14th Street. Pell was no stranger to Denver—he had visited in 1870 while traveling with a circus, and again in 1879, when he operated a stage coach line with a final stop in the Queen City.

Denver—one thousand miles from the nearest ocean—may have seemed like an odd place for an oyster house, but during the oyster craze of the late 19th Century, “oyster saloons,” “oyster bars,” and “oyster and coffee saloons” popped up in cities and towns across the country. Denver had several of these establishments. The completion of the transcontinental rail line in 1869 certainly facilitated the popularity of the food, making it possible for oysters to be shipped more quickly than had been possible with horse-drawn transportation. Live oysters nourished with oatmeal or flour could withstand the long rail journey in water and ice-filled containers. Upon arrival, the shellfish were distributed to oyster houses that were often located in basements (in order to take advantage of naturally cooler temperatures).

Pell’s Oyster House spent the 1880s and 1890s moving from place to place along 16th Street before settling at 520 16th Street from the late 1890s until around 1921. An article appearing in the January 1, 1909, Denver Republican noted that the restaurant served oysters, fresh and saltwater fish, lobsters, crabs, and clams sourced from the Atlantic and Pacific Oceans, northern lakes, and inland streams.

A well-known proprietor in Denver, George Pell was considered eccentric and independent. He closed his restaurant every summer (perhaps heeding the popular notion of the time that oysters should only be eaten in months with an “R” in them) and never adhered to strict hours of operation. Pell detested smoking and did not allow it in the café section of his restaurant. He is said to have thrown a wealthy customer out by his coat collar after the gentleman lit a post-meal cigar. Pell died at St. Luke’s Hospital from a bout of “nervousness” on December 24, 1911, at the age of 60. His granite headstone at Fairmount Cemetery is fashioned with carvings of fish.

Pell’s Oyster House continued to operate, managed by Pell’s wife and son, George, Jr. In the early 1920s, the restaurant moved to 1514 Welton Street, where it was enlarged to seat over 200 customers. In 1923, George, Jr. died of a stroke at the age of 36. Mrs. Mary Sharp Pell died in an automobile accident in 1926. Pell’s Oyster House continued to operate under Sbarbaro & Williams, Inc. until Jesse Washburn of the RKO Hotel took it over in 1933. Washburn closed the restaurant in October 1937, citing high overhead costs and a marked loss of profitability.

To learn more about restaurants that were once part of the Denver dining scene, check out the Western History and Genealogy department's newspapers on microfilm, city directories, digital photo collection, and menu collection (C MSS WH1509).

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Wondering if there is any connection to this other old establishment:

https://www.captainpell.com/

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The Denver That Never Was: 1976 Winter Olympic Games

How Denver Became the First City in History to Reject the Olympic Games

On May 12, 1970, the International Olympic Committee (IOC) chose Denver to be the host city of the XII Winter Olympic Games (1976). Denver edged out Sion, Switzerland; Tampere, Finland; and Vancouver, Canada.

Initial Colorado sites chosen for the Games included:

  • University of Denver for Olympic Village and speed skating facility
  • Loveland Basin and Mt. Sniktau for alpine events (changed to Vail in 1972)
  • Denver Mountain Parks for Nordic, bobsled and luge events (changed to Steamboat Springs in 1972)
  • Denver Coliseum for free skating and ice hockey events
  • Currigan Exhibition Center for a press center

On November 7, 1972, Colorado voters, concerned about the financial burden and environmental impact of the Olympic Games on their state, rejected a $5 million bond issue that would fund the event. Shortly thereafter, Innsbruck, Austria, replaced Denver as the host of the 1976 Winter Olympic Games.

Although Denver never did bask in the glow of the Olympic torch, the plans set out by the Denver Olympic Committee from 1967 until 1972 remain in the archives of DPL’s Western History and Genealogy Department (WH1143, The Denver Organizing Committee for the 1976 Winter Olympics records) and are open for research. See them for yourself and discover the Denver that might have been!

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Thank you for the informative history. I was under the impression when I lived in Denver from 1983-2016 Olympic Village was going to be at the high rise at 20th and Park Avenue.

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Didn't the Denver '76 organizing committee go as far as sign a $10 million TV deal with ABC for those Olympics which Innsbruck agreed to accept after Denver backed out and got replaced by Innsbruck, rather than putting the United States TV TV rights going out to bid again?

Hi Joseph,
I'm not seeing evidence of this in newspaper articles. In a March 29, 1972 Denver Post article ("Price Tag on '76 TV Coverage Closer" p19)

"The DOC can't begin to sell its television rights until after the International Olympic Committee (IOCC releases final ground rules at the Munich Summer Olympics in September. . . .The DOC's original revenue estimate from TV rights was $10 million."

Even as late as October, it appears no deal had been reached.

On December 9, 1973, the Denver Post reported (p. 276):

"ABC has been awarded exclusive television rights to the 1976 Winter Olympic Games in Innsbruck, Austria, Feb. 4-15. Previously, the network had gained exclusive U.S. coverage of the 1976 Summer Olympic Games in Montreal."

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Anatomy of a Forgery: Salem, Massachusetts Death Warrant, 1692

Guilty of Witchcraft or Fraud?

In the archives of DPL’s Western History and Genealogy Department lives a Salem, Massachusetts court order to Sheriff George Corwin declaring Martha Currier a witch and condemning her to be hanged (C MSS -M1429). It is dated June 10, 1692.

But 1692 may actually be 1932.

In 2005, the American Antiquarian Society’s Common Place published an article by Steven Biel, now Executive Director of the Humanities Center at Harvard University. The article, titled “Brother, Can You Buy a Salem Witch Death Warrant?” describes a morning in October 1932, when Captain E. Newman Bradley, an antiques dealer down on his luck, knocked on the door of A. B. MacDonald, a feature writer for the Kansas City Star and collector of Americana. Bradley told MacDonald his sad story. Bradley was a World War I veteran whose antiques business had dried up during the Depression. He had traveled to Kansas City from Houston for the promise of a job—upon arrival, however, he found the position already filled. On top of that, he had just been informed of his wife’s death via telegram.

Bradley offered MacDonald an opportunity to purchase the death warrant of Elizabeth How (a woman found guilty of witchcraft and hanged in Salem, Massachusetts, in 1692) at the deeply discounted price of $20—thousands of dollars below its value. MacDonald bought the document and then tried to sell it to other collectors, including Howard Corning, secretary of the Essex Institute in Salem. Upon studying the How death warrant, Corning concluded it was a forgery.

How did Corning know the How death warrant wasn’t real? The ink on the document was modern and the staining on the paper appeared unnatural. Corning compared the How warrant to a facsimile of the well-known death warrant of Bridget Bishop and found the wording and handwriting different. In addition, the forged How warrant had curiously been signed by well-known Puritans of the time, while the Bishop warrant had been signed only by William Stoughton. In addition, the forged 1692 How document had been signed by Wampanoag Chief “King Philip” Metacomet, despite the fact that he had been killed in 1676.

As it turns out, “Captain Bradley” scammed not only MacDonald, but several collectors in Kansas, Wisconsin, Illinois, Oklahoma, and North Carolina. In November 1932, Corning began warning collectors of Bradley and the forgeries circulating throughout the South and Midwest.

The exact origin of WHG’s Martha Currier death warrant remains unknown as documentation of its acquisition is not available. Examining the document, however, several similarities to the forged How document are apparent. The handwriting and staining patterns match, and like the forged How warrant, the signatures of several Puritan “celebrities” including Cotton and Increase Mather are present. Then there is the date—just like the How death warrant, the Currier death warrant is dated June 10, 1692. Although Bridget Bishop had been executed on that day, there hadn't been any trials on June 10, 1692, as Professor Bryan F. Le Beau points out in “The Carey Document: On the Trail of a Salem Death Warrant” (Early America Review, Summer 1997).

With so many similarities to the forged How death warrant, it is believed that WHG’s Currier death warrant is likely to be the Depression-era work of “Captain E. Newman Bradley.”

[Note: “Martha Currier” is believed to be Martha Carrier, who was executed in Salem on August 19, 1692.]

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Denver Dining of Yore: Blue Parrot Inn

Learn more about a Denver restaurant where diners were greeted by a chatty, feathered hostess.

The Blue Parrot Inn, 1718 Broadway, appeared on the Denver dining scene in the early 1920s (the 1923 Denver city directory is the first to note it). In the late 1920s, Margaret Findeisen (proprietor of Florida’s Orange Lantern Inn) and Henrietta Werder (proprietor of a restaurant in Hereford, Colorado, and the Grenada Room in Florida) bought the Blue Parrot Inn while on vacation in Denver after a particularly rough Florida hurricane season. They added Spanish-style room décor to the restaurant in 1928. That same year, Findeisen and Werder reported that business was booming—up 40% from the previous year.

The Great Depression changed the Blue Parrot. Charlot Ellers bought the restaurant sometime around 1930. Then, the restaurant, which once catered to lunching ladies and afternoon teas, began advertising a “Business Men’s Steak Luncheon,” presumably to drum up more customers. Ellers made music a feature of the restaurant, investing in a state-of-the-art sound system and a collection of 6,000 records in the early 1950s. Ellers operated the Broadway location until it closed in 1953. The building was torn down in 1953 to make way for the 23-story Mile High Tower, designed by I. M. Pei and Henry Cobb.

Perhaps the real stars of the Blue Parrot Inn were, in fact, the parrots. First, there was Mack, an elderly macaw with a habit of cursing in front of customers. Mack died of pneumonia at the age of 83. Minnie, a 14-year old macaw from Trinidad, replaced Mack around 1936. Minnie loved music and would often demand that the song “Forever Blowing Bubbles” be played. At 8pm, a busboy would take Minnie out of her cage. While bringing her through the restaurant to her bedroom quarters, Minnie would say, “Goodnight, goodnight” to diners.

WHG’s large menu collection (WH1509) contains several menus from the Blue Parrot Inn along with many other gems.

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I have a Blue Parrot Menu as pictured here from Tuesday, August 4, 1942. My Father was stationed at Lowery Field during WWII and sent this home to us. Filet Mignon Wrapped in Bacon, complete dinner $1.50. What a deal!!!.

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Thanks for sharing, David! I bet a filet mignon wrapped in bacon was a fantastic treat for a WWII serviceman. So glad you held on to the menu as a keepsake!

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I ate there with the family in the mid 30s. I loved seeing the parrot in its cage just off the sidewalk at the entrance. I’m originally from Alamosa.

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I used to take Ms Ellers grocery shopping in my Taxi in the 80's. She was a very sweet Lady. Did she own the land that the Blue Parrot sat on?

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As a kid, growing up in Denver, I, too, remember going to the Blue Parrot on Sundays (during the 1950s) and seeing the parrot in the cage just off the sidewalk. They had great cinnamon rolls and as a kid that is what I filled up on.

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I should have put my name on that last post. Here it is again:

As a kid, growing up in Denver, I, too, remember going to the Blue Parrot on Sundays (during the 1950s) and seeing the parrot in the cage just off the sidewalk. They had great cinnamon rolls and as a kid that is what I filled up on.

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My dad, Sigifredo Rivera worked as a cook there in the early 1940s. Loved reading this article.

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As a child, one of my fondest memories.....getting a chocolate parrot for having a clean plate following my meal. Of course, my wonderful, loving father would make certain I would always have a clean plate!

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I too remember the chocolate parrots given to kids in the fifties when leaving the restaurant. Some time later perhaps in the sixties the restaurant moved to Cherry Creek.

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Found In the Archives: Baur’s Candy Recipes

Classic Recipes From What Was Once A Denver Institution

One of the more unconventional items in the Western History & Genealogy Department’s archives is the recipe notebook of Sol H. Burke (1907-1974), a candymaker who was employed at Baur’s Candy Company in Denver. Included in the notebook are recipes for favorites like taffy, caramel corn, and peanut brittle as well as unusual treats including chocolate-dipped apricot, almond, and orange candies (called “Alcots”) and a drink concoction known as “Egg Lemonade.” As the notebook dates from 1942, some recipes are noted as being “war batches.” Sugar rationing during World War II not only affected household kitchens, but also limited the amount of sugar confectionaries could purchase. Recipes were tweaked with substitutions to make sugar go further.

The O. P. Baur Confectionary Company was founded by German immigrant Otto P. Baur in the early 1870s. Initially a confectionary and ice cream parlor located on Curtis Street, the company expanded into the restaurant business during the 1940s and 1950s. By the late 1960s, the company fell into financial trouble, and the original store at 1512 Curtis Street shut its doors in January 1970. Although you can no longer pop down to Baur’s for a bag of Rum Crystal Cuts (hard candies, that is), these classic recipes live on at WHG in the Baur's recipe collection (-M2076).

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My mother was the Master Candy maker at Baur's Candies until they closed and she was given their recipe books when they closed the shop down. As far as I ever knew, she had the only set of the complete recipies.

That's pretty great, Jacki! We've got a Bauer's recipe notebook and marvel at the recipes that call for 100 pounds of sugar and just a few drops of flavoring. It was a precision operation!

Otto P Baur is an ancestor of mine. I have heard stories of his confectionery and ice cream parlor as I was growing up. The story I heard was that it was likely that the first ice cream float was developed at Baurs.
I would LOVE to have copies of the recipe books for my family.

We aren't allowed in the buildings at the moment due to COVID-19, but once we are, we would be happy to provide you with copies! You can make the request through our contact page (link in the top right). Thanks for reading!

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There’s a great description of Baur’s from the 20’s in the book Get Thee Behind Me by Hartzell Spence.

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Was it the Baur Company that made Crystal Cuts -- fruit-flavored round candies with flat sides, a clear center, and the flavor indicated by the edge colors of red, yellow, orange ... maybe even blue?

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I purchased a bell with the Baurs logo on it. The seller sent photos of the building. Pretty cool to own a piece of history.

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My parents met at Baur's working there while they attended University of Denver, in the '40's. He was a fountain technician (soda jerk), she was the hostess and waitress. I worked at Baur's, Cherry Creek, while attending Metropolitan State College. When they closed I was given a cook book and some silver trays. People came for their "popovers" rolls!

Hi Sheila,
Thanks for letting us know about the link -- it has been updated now. Please note that this notebook has not been digitized. We are currently closed to the public, but you may request scans through our Contact page (see upper right-hand corner of this page). Thank you!

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My grandfather listed himself as a helper in a candy factory on Curtis street in Denver on his 1917 draft card. He was 26. A Greek immigrant. I wonder if this was the place.

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My Father Louis “Babe” Suehrstedt worked at Baur’s for over 20 years during the 20s,30s and 40s. All of his siblings worked there as well. He had the recipes for all candies. This is a picture of my Father.
Louise Suhrstedt LeRoy worked there 40 some years (Candy packer).
Charles “Chop” Suehrstedt worked there about 30 years, Candy Maker.
Louis “Babe” Suehrstedt worked there over 20 years, Candy Maker.
Henry Theodore(Ryck) Suehrstedt worked there several years.
John Timothy Suehrstedt worked there several years also.
I remember the window displays of 100% sugar candy cities that the candy makers made during Christmas. So beautiful..

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A Fashionable Life: Gretchen Weber Johnson

Drawing of four women in fashionable outfits

You may have heard of Vogue's Anna Wintour, but do you know the Denver Post fashion editor, writer, and illustrator who dictated Denver fashion for nearly 40 years?

In July 1958, Gretchen Weber was among the two hundred newspaper women in New York City scouting out couture collections for her fall 1958 fashion report. The New York Times reported on the event, saying:

Gretchen Weber of The Denver Post numbers oil and cattle baronesses among her readers. She seeks beautiful evening dresses, superbly tailored costumes and elegantly casual clothes to be worn at mountain lodges.

Although she regularly attended fashion shows in Europe and interviewed high-profile designers Christian Dior and Yves St. Laurent, Gretchen never fell out of touch with Colorado women (admitting in 1958 that Denver was “a little slower than New York to accept trends”). She was a native herself, born in Boulder on December 1, 1901, to Adam Weber, a barber shop proprietor, and Alice Lytle Weber, a singer and voice teacher. Educated at the University of Colorado, the Parsons School of Design, and the Minneapolis School of Fine and Applied Arts, Gretchen joined The Denver Post in 1931, working as an illustrator, columnist, and fashion editor until her retirement in 1969. She kept five scrapbooks of her published fashion articles and drawings, and these gems, along with a small collection of her pen-and-wash fashion illustrations, are available for research in DPL’s Western History and Genealogy Department.

After retirement, Gretchen Weber married attorney Hal Johnson in 1977 and moved to Oklahoma. She died in her Oklahoma City home on May 26, 1992, at the age of 90 after leading a very full—and fashionable—life.

 

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Denver's Dinner with Charles Lindbergh, 1927

What does one serve when Lucky Lindy drops in for a bite?

According to a 1927 Denver Post article, Colonel Charles Lindbergh did not like to eat in his airplane—even during very long trips. He claimed to not desire food when flying. And besides, to eat and control an aircraft was much too difficult.

So when Lindbergh and the Spirit of St. Louis arrived in Denver at 2pm on August 31, 1927—some eight hours after taking off in Omaha—the famed aviator was presumably famished. What did the Queen City serve him?

A first course of “Fruit Surprise” followed by a consommé. A palate cleanser of celery, pecans, and olives. An entrée of broiled spring chicken with peas and au gratin potatoes. A hearts of lettuce salad drizzled with Thousand Island dressing. A feast fit for a Medal of Honor recipient?

These dishes were presented to Colonel Lindbergh and a crowd of 1,000 during a banquet held at Denver’s one-year-old Cosmopolitan Hotel. Lindbergh was in town to promote U.S. commercial aviation and to urge the city to build its own airport—all while he dined on Lindbergh mousse, petit fours, and Original Manitou Pale Dry Champagne (as these were Prohibition times, the “champagne” was actually ginger ale made with naturally carbonated spring water from nearby Manitou Springs, Colo.).

Even though the pilot stayed in Denver for only 18 hours, Denverites caught a severe case of Lindbergh fever. On the morning of September 1, 1927, an estimated 50,000 people gathered at Lowry Field to wish Lindbergh well as he flew on to Pierre, South Dakota.

Lindbergh’s visit lives on not only in the pages of the 1927 Denver Post (available on microfilm), but also in WHG’s large menu collection, which contains the Cosmopolitan Hotel’s dinner menu from August 31, 1927, along with many other gems.

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Howard Zahniser: Conservation Pioneer

The Howard Zahniser Papers (CONS 238) are now available for research in DPL’s Western History and Genealogy Department.

Next year, the Wilderness Act—the law that created the means to protect nearly 110 million acres of wilderness area in the United States—turns 50. Tragically, the author of the Wilderness Bill, Howard Zahniser (1906-1964), did not live to see President Lyndon B. Johnson sign the bill into law on September 3, 1964. Zahniser passed away from heart failure just four months before the historic bill was passed.

The unlikely journey Zahniser took from public servant to conservation activist is documented in the Howard Zahniser Papers (CONS 238), now available for research in DPL’s Western History and Genealogy Department. This collection provides a fascinating record of Zahniser’s professional and personal life, illustrated through journals, notes, article drafts, speech transcripts, congressional statements, correspondence, poems, photographs, and audio recordings. These materials reveal not only the people, places, and literature that influenced Zahniser, but also the way in which Zahniser’s concern for wilderness areas increased over time, reaching a fever pitch when he began his first draft of the Wilderness Bill in 1956.

The son of a Free Methodist minister who moved his family frequently, Zahniser spent his teenage years near Pennsylvania’s Allegheny National Forest, where he cultivated a lifelong interest in nature and literature. After graduating from Greenville College, Zahniser relocated to Washington, D.C. where he held editing and writing positions with the U.S. Bureau of Biological Survey and the Bureau of Plant Industry, Soils, and Agricultural Engineering. From 1935 through 1959, he wrote the columns “Indoors and Out” and “Nature in Print” for the American Nature Association’s Nature Magazine.

The direction of Zahniser’s career changed when he accepted a full-time position co-leading The Wilderness Society in 1945 and worked alongside notable conservationists Olaus Murie, Benton MacKaye, Aldo Leopold, Robert Marshall, and Harvey Broome. Zahniser looked to grow the society and its influence, and was successful in significantly increasing membership. Beginning in the 1950s, Zahniser became progressively more concerned over the growing number of wilderness areas threatened by dam building, logging, mining, farming, and tourism and transitioned into an activist role.

Zahniser left behind contributions that extend far beyond the number of acres his life’s work now protects. Using his media savvy and talent for crafting messages, Zahniser brought wilderness conservation to a mainstream American audience. The Denver Public Library’s Western History and Genealogy Department is proud to preserve the papers of Howard Zahniser—a conservation pioneer.

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