Galleries by James Rogers

Father and Son Publish a Wonderful Book Together

Father and son publish a book using photographs from the Western History Collection. 

Several months ago, Larry Johnson called the Western History reference phone line and asked for permission to use several photographs in our collection. He was very excited about using our photos and matching them with images that he and his son had taken all over Colorado. Not only was he excited about our photographs, but he wanted to write a book along with his son. I had the pleasure to speak with him and told him to come in and discuss his idea with us, as well as help him find appropriate photographs. And that he did! Here, in his own words, is the story behind their publishing efforts:

"The vision began with one photograph - the old town site of Buckskin Joe. Cassandra, my wife, surprised me with the amazing old photo and immediately Stephen, my son, asked "Can we go there?" We stopped on the way to a high mountain hike, thinking we may be able to find the original town. Once we did, we then decided to match up the photo simply to see if we could - and we did. The results were fantastic and the idea blossomed from there to find, explore, match up - and write about each location.

My son took the lead in finding the locations once we were nearby with an uncanny knack of lining up the mountains, buildings, and trees to the old photographs. Due to his persistence we were able to stand on the same spot as the frontier photographer we were following. My wife took the lead in ensuring the photo's were perfect - taking as many as needed and going back as necessary to get that perfect shot.

As we trekked across the state, we saw amazing sights and met special people. From the bear running through Aspen, to the young man living the true Colorado spirit by riding a mountain pass daily just to get to work, to the people who allowed us access to their property - the summer of 2013 was truly epic for our family!"

Congratulations, Larry and Stephen! You have created a truly wonderful book. Our department was very happy to help you with your endeavor and creating a tighter bond with your son!

If you'd like to purchase this book, it can be found on Amazon, search for "A Century of Change in Colorado, Then and Now - A Photographic History." 

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Life on Colorado Rails: The American Passenger Car Era, 1930 to 1970

View of express passenger train 18, "Portland Rose," near Henderson, Colorado.

Check out the wonderful new exhibit at the Colorado Railroad Museum!

Today's blog post is by Lauren Giebler, Curator of the Colorado Railroad Museum. She describes a great new exhibit at the museum that gives you a window on what it was like to work and ride in passenger cars and trains in the 20th century. For more information about the blog photograph, click here. The Colorado Railroad Museum has a vast amount of photographs and other materials in their library. And remember, we have a large collection of railroad photographs in the Digital Collections.

Life on Colorado Rails: The American Passenger Car Era, 1930 to 1970 By Lauren Giebler

Opening May 18, 2013, Life on Colorado Rails 1930 to 1970 is the second of three exhibits celebrating the work and lives of railroadmen and women in Colorado. From sleeping car porters to carmen; courier nurses to conductors; engineers to yard officers, this exhibit highlights the modernization and glamour of Colorado railroads from 1930 to 1970.

The modern American Passenger Car Era began in the 1930s when railroad companies transitioned from steam to diesel locomotives, and changed to look of their trains in an effort to attract more passengers. Inspired by the Art Deco movement, railroads applied clean, unbroken lines, rounded corners, and gleaming metal bodies to trains and locomotives. Projecting an image of speed and power, the new trains symbolized the modernization of America. 

Trains like Atchison Topeka & Santa Fe’s diesel-electric Super Chief ran faster than ever. In 1937, the Super Chief cut the average travel time between Chicago and Los Angeles from 55 hours to 39 ¾ hours, and became known for its first-class service and fashionable clientele. Employees had to have many years of experience before they could work on that train. As Sam Turner, a second cook remembers,

“[The Super Chief] was Santa Fe’s crack train, and you was proud to work on that train. You worked hard on there, but you learn how to cook many different things ‘cause they had the most fanciest things in the world. All those filet mignons, those sirloin steaks. You had a lot of turkeys to cook, and dressing. Prime ribs. Cornish hens. You had those trouts, and you had to bone those fishes out. You learned a lot on there. You didn’t have no canned goods or nothin’. No, you had to bring it up from the nub. If you had string beans, you had to take a knife and French-cut ‘em and then put your almonds in there and cook it up. You just had so much to do, but you had to do it from the nub”. 

Sam was proud to work for the railroads, and for good reason. The Passenger Car Era marked the zenith of American railroading not just because the rolling stock was modern and luxurious, but because many railroad employees enjoyed their working experience. Strong wages, standardized working hours, health insurance, pensions, and respect from surrounding community members created desirable and satisfying jobs.  It was not uncommon for employees to work thirty, forty, or even fifty years for the same railroad company.

Join us this coming May as we celebrate the men and women who kept the railroads running during the American Passenger Car Era! View photographs of porters, cooks, stewards, courier nurses, engineers and more. Explore a three-quarter sized Navajo round-end observation car complete with a sleeping berth and check out new Museum objects on display. We hope to see you there!

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Participatory Archives

Bringing archives to the people! 

A great article/blog post by Kate Theimer, about Participatory Archives, explores how archives can bring user participation to archives. There is the idea that there might be a need to shift the professional archivist's thinking to include the role of the non-professional, interested citizen, to advance the work that archivists do. Embracing democratization and user content in the archives means giving users and potential collaborators a sense of ownership in the work that we do. This is what we intend to do with our new project and website, Creating Your Community. Stay tuned for more information about that soon. To read the blog, click here.

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